Happy New Year! Recently, my brother Jay and I recorded our “Favorite Films of 2019” episode for Saints and Cinema. It is not really a best-of (though we thought the films were pretty good), because we have not seen everything put out last year. We are not the Golden Globes or the Academy Awards or paid film critics. We see a lot of movies, but we are limited (it should go without saying) to what we have time to see.
I do not watch Hallmark or Netflix Christmas movies on principle. If that is your thing, go ahead; […]
There was a time when the darkness and loneliness of divorce seemed to me tragically romantic. Probably, I was reading too much Andre Dubus and John Updike at the same time. Raymond Carver probably did not help either. There was a resigned dark humor to the characters, an alcoholic loneliness, and (for Dubus’ characters) a tangible and inescapable divine presence.
I am always interested in films that involve pastors, whether the pastors are good or bad. Because this is something I know from the inside out, it is not hard to tell whether or not the filmmaker actually knows what he or she is doing in writing or casting the character. Phillip Youmans knows what he is doing in Burning Cane (2019; streaming on Netflix).
When God is dead, there is not nothing. Worship abhors a vacuum. So when God or gods cease […]
Fridays at The Jagged Word are when I try to expose as little of my ignorance as possible. […]
Coraline (2008, streaming on Amazon Prime) might be the perfect movie for All Saints or All Souls (not that I’m praying for the dead in Purgatory, understand). What a great, semi-frightening children’s movie that gets to the heart of what matters in a family. I don’t know how closely it follows the story by Neil Gaiman, but the film is profound in ways I didn’t expect.
It’s late October, so the only thing to do is catch up on classic horror movies. A year […]
I’ve been thinking about why we are affected by people who don’t exist. Even when characters are based […]
Political polarization poisons everything. With us or against us. Us or them. Good films are no longer complex […]