By Tim Winterstein –
Coraline (2008, streaming on Amazon Prime) might be the perfect movie for All Saints or All Souls (not that I’m praying for the dead in Purgatory, understand). What a great, semi-frightening children’s movie that gets to the heart of what matters in a family. I don’t know how closely it follows the story by Neil Gaiman, but the film is profound in ways I didn’t expect.
By Tim Winterstein –
Halloween is almost upon us, and some people like to watch scary movies. But don’t see the new Halloween or Predator or The Nun. If you want a real horror show—because it’s true—go see Gosnell: The Trial of America’s Biggest Serial Killer.
By Tim Winterstein –
After I watched Troubled Water last week, one of Amazon’s recommendations was Adam’s Apples (2005, streaming on Amazon Prime), about a naive pastor in Denmark, Ivan (Mads Mikkelsen), who welcomes in a neo-Nazi in hopes of (I think) rehabilitating him. Add that neo-Nazi to a Saudi immigrant who robs gas stations and an alcoholic Dane, and it’s a weirdly religious, absurd black comedy.
By Tim Winterstein –
Troubled Water (2008, streaming on Amazon Prime) is really a brilliantly made film. You know the whole thing is going to collapse and fall apart between Thomas and Agnes, but you don’t know when. That tension builds and builds, even when there is nothing tense happening in a given moment. And the way the story is put together brings even seemingly unimportant events to their true significance.
By Tim Winterstein –
First of all, in another life, I would have wanted to be an Icelandic shepherd. Second, Rams (streaming on Netflix) is a beautiful—truly—meditation on family, place, and history. There is the dark humor that comes with two brothers (Gummi and Kiddi) who live next to each other, doing anything and everything they can to avoid actually speaking with each other—up to and including training the dog to take messages back and forth.
By Tim Winterstein – So I watched Pale Rider for the first time. Clint Eastwood is great, as […]
By Tim Winterstein –
This isn’t a great documentary. In some ways (down to the design of the credits and titles) it is simply playing on the success and popularity of The Exorcist—though there’s no pea soup, no unnaturally turning heads, and no priests die. (And my wife thinks William Friedkin sounds like Donald Trump. Narrator: he does.)
By Tim Winterstein –
Memory is a strange thing. Last week I wrote that I had seen The Machinist during my second summer at college, the first that I did not return home between classes. In one of my periods of sleeplessness last night, I realized that couldn’t be true. As clearly as I seemed to remember picking up that movie at a video place and watching it then, it couldn’t have happened then because I was in college from 1998-2002. The Machinist came out in 2004, which means that if I saw it soon after it came out, I couldn’t have seen it before my third year at the seminary (my vicarage, or internship).
By Tim Winterstein –
If Hitchcock remade Fight Club, it would probably look a lot like The Machinist (2004). If you haven’t seen it, but you’ve seen Fight Club, then I probably gave away the major plot twist. But even if you know the major twist, this is a devastating film about the destructive power of buried guilt. I had seen The Machinist before, but I honestly didn’t remember much except that he works in a machine shop and is struggling with something. I probably watched it on a VHS rented from a Blockbuster (RIP) in Washougal, Washington during a summer when I worked the night shift at a Safeway and then in a hot, dusty, stifling concrete plant in Portland. Not much else to do during my first summer not returning home from college.
By Tim Winterstein –
“I felt that I must scream or die!—and now—again!—hark! louder! louder! louder! louder!—
‘Villains!’ I shrieked, ‘dissemble no more! I admit the deed!—tear up the planks!—here, here!—it is the beating of his hideous heart!’”
By Tim Winterstein –
I’m not proud of it, but Alfred Hitchcock is one of the gaps in my film self-education. It’s sort of like those classic books of the Western canon I always tell myself I’ll get around to. I’ve got good intentions to read more Dostoevsky or Greek dramas or Moby Dick or Les Misérables… well, they look good on my shelf, at least. So I finally watched Vertigo last year, and now Rear Window. Rope and North by Northwest are next. (I know, I know. By the way, have you all seen these great new shows, Breaking Bad and Justified?)
By Tim Winterstein –
[SPOILERS, BUT YOU CAN PROBABLY GUESS THEM ANYWAY]
That seems like far too important a title for thoughts about a dinosaur movie, but underneath the fantastic and seamless CGI, Jurassic World: Fallen Kingdom is claiming to be far more than simply an adventure movie with dangerous animals. The tired part of the movie is that people always do stupid things when it comes to dangerous animals about which they really know nothing. Yeah, we get it: If you’re ever in a room with a caged dinosaur, do not open the cage, no matter how much you want a trophy or a closer look. Don’t pretend to be Chris Pratt if you’re not.
By Tim Winterstein –
[SPOILERS]
Another recent film is often compared to Taxi Driver, but it’s both better and worse than First Reformed. I had a free Redbox rental, which is as good as Movie Pass for seeing movies on which I’m not sure whether I want to spend actual money. So I rented You Were Never Really Here, a story that I liked more than First Reformed, though it’s not nearly as beautiful. I will watch almost any movie that features Joaquin Phoenix, because he’s brilliant. And he needs to be in this movie, because it’s so understated that anyone unwilling to think a little will lose patience very quickly (as many reviews on IMDB prove).
By Tim Winterstein –
At one point in the documentary Karl Marx City (streaming on Netflix), the narrator (Matilda Tucker) translates two German words for dealing with memories. The first is Erinnerungskultur, or the “culture of remembrance,” and the second is Vergangenheitsbewältigung, or “the process of coming to terms with the past.” These are fitting terms for a country that seems to have more than its share of recent past with which to come to terms. It’s an interesting juxtaposition to watch this film so soon after seeing Hitler’s Children (which I wrote about here).
By Tim Winterstein –
The word “harrowing” was invented for a documentary like Last Men in Aleppo (streaming on Netflix). It follows a group of men who have come to be called the White Helmets as they go about their work of digging people, dead and alive, out of the rubble of the Syrian city.
By Tim Winterstein –
I knew this was going to happen. I knew that if a movie was hyped over and over, time and again, as being an incredible, profound meditation on faith and doubt, that it was unlikely to be anything of the sort. If someone has left or been scarred by Christianity, or an American Fundamentalist version of it; if someone is quick to say, “I’m spiritual, but not religious”; or if someone is fully convinced that what the Church should do is take up the apocalyptic cause du jour, then that person is the perfect candidate to be over-impressed with Paul Schrader’s First Reformed.
By Tim Winterstein –
Since high school, I’ve been interested in my family’s genealogy. Nearly all of us German Lutherans as far back as I can trace, all of those generations are part of who I am. So far, there haven’t been any shocking discoveries, but there are certainly intriguing gaps in the records. At what point did my German ancestors settle in the Austro-Hungarian Empire (my father’s side) or Russia (my mother’s side)? What is the connection between the German town of Winterstein and my family? (One interesting speculation is that our ancestors were Sinti [Christian Roma or Gypsies] who took the Winterstein name after working as tailors for the minor nobility of Winterstein).
By Tim Winterstein –
On the one hand, Wild Wild Country (six parts on Netflix) is about as strange a religious story as there is in the United States. On the other hand, it’s not very strange at all. The divisive nature of Bhagwan Shree Rajneesh (a name I would be okay never hearing again), the completely opposite stories told by the Rajneeshees and everyone else, and the weird, magnetic pull of the Bhagwan’s personality make this a compelling story. It’s salacious, with the (accurate) rumors of a sort of sex cult, but it doesn’t seem that the Bhagwan was all that involved in the sexual aspect of his commune, as you might expect a sex cult leader to be!
By Tim Winterstein –
I can’t believe that I’ve been writing these for a year! Thanks to The Jagged Word for the opportunity to watch more movies and write down whatever I think about when I watch them. I don’t know if any of it is worth anything, but at the very least, I hope you’ve discovered some good movies.
By Tim Winterstein –
What would happen if an entire country took independence and individualism to their logical and extreme ends? We don’t have to wonder. We have Sweden. For the last 40+ years, Sweden has been engaged in a social experiment which now has borne its desiccated fruit. The Swedish Theory of Love is the documentary telling that story. (You can find it online here. If you don’t want to subscribe, you can simply share the movie—I shared it to be visible only to me on Facebook—and you can watch it for free.)
