By Tim Winterstein

There’s nothing quite as uncomfortable as watching someone who does awkward well. In comedy, consider both Steve Carell’s Michael Scott and Ricky Gervais’ David Brent on both the American and English versions of The Office. But Jim Cummings could teach a master class on dramatic and (within the world of the film) unintentional awkwardness—that is, he does teach a master class in his first full-length, Thunder Road (available for rent or purchase on iTunes or Amazon).

By Tim Winterstein

[SPOILERS]

I don’t know if the current cultural moment is producing a thematic bounty of what it means to deal with pain and guilt or if it was always equally present. Either way, the idea of what to do with guilt we can’t erase—because we can’t go back and undo it—seems to run through a lot of the films and shows that I’ve written about here. Or maybe those are just the themes that are most fertile for theological reflection, especially when they’re being explored by those who most likely wouldn’t give the answers that Christians would give.